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in progress ‘Relational Sound – attempting an inventory.
Tendencies in Sound Art since the turn of the millennium.’
in Sound Arts between Electroacoustic Music and Media Art, ed. Michael Harenberg,
transcript Publ., Summer 2023
Edition of Sound Art Brighton Festival Catalogue | Edition 1, March 2022.
November Book, London, 2022, 77 pp.
‘… the sound around us’ in Sound Art Brighton Festival Catalogue, ed. K.Glandien,
November Book, London, 2022, pp. 10-11.
‘Interaction in SoundArt’. Essay (publication pending).
‘Nexus’, Exhibition text. Galerie Mario Mazzoli, Berlin, 10 Sept-12 Nov.

‘Analysing Sound Art: Douglas Henderson’s Fadensonnen (2009)’ in Expanding the Horizon of Electroacoustic Music Analysis. eds. S. Emmerson & L. Landy, Cambridge: Cambridge University Press, pp. 266-287.

‘Douglas Henderson: Summer of Love’. Exhibition text. Galerie Mario Mazzoli,
Berlin, 24 Oct-5 Dec.

‘… too wide a field. SoundArt in Berlin’, Seismograf/DMT. Contemporary art music magazine Denmark. 5 May 2015.
Relational Sound: On the Aesthetics of SoundArt (book project in progress)
‘Kunst i og uden for æteren’, Seismograf/DMT. Contemporary art music magazine Denmark.
‘Sound Art/Installation. Analysis: Douglas Henderson – Fadensonnen (Sound Sculpture, 2009)’, in Expanding the Horizon of Electroacoustic Music Analysis, S. Emmerson & L. Landy (eds), Cambridge University Press, Cambridge. (publication in progress)
‘Cassiber Recalled’, in Cassiber 1982-1992. CD-box set & book, ReR Megacorp, London

‘…sound’s dream of us. The SoundArt of Douglas Henderson’, in Douglas Henderson – Poets and Superheroes, Catalogue for Douglas Henderson SoundArt Solo-Exhibition, Galerie Mario Mazzoli, Berlin, March-April 2012. uk_flag german_flag

2013 | 2008
‘… the farthest extension of life as theatre: on the work of Arndt von Diepenbroick’, Licht, Luft, Leben: die phantastische Papierwelt des Arndt von Diepenbroick. Meininger Museen, Meiningen.
‘SoundArt and Performativity (pre-print version)’, in Sound Musicianship: Understanding the Crafts of Music, A. Brown (ed.), Cambridge Scholars Publishing, Newcastle upon Tyne.

‘Sounds & Contexts: The Performative SoundArt of Jon Rose’, in Rosin, Jon Rose CD/DVD-box set, ReR Megacorp, London.

‘Radiokonst i och utanför etern – samtid och framtid’. Swedish Translation by Magnus Bunnskog, Nutida Musik ISCM Sweden, 2/2011, 16-21.
‘Don’t look back’, in MORPHICA, M Karikis (ed.), Sub Rosa. Brussels.
‘Art on and off Air. Post Scriptum 2007: Mostly Europe’ (unpublished)
‘Die Kuh singt – oder – Die Liebe zum Authentischen’, in Babylon Circus, H. Jahn (ed.), Verlag für moderne Kunst, Nürnberg.

2004 | 2000
En Route – A monographic Study of the Œuvre of Heiner Goebbels. [online]
Available from:
See for Alfred 23 Harth’s recollection of his collaboration with Heiner Goebbels
’Die Musiktheaterkonzeption Heiner Goebbels‘ – Schwarz auf Weiss und Surrogate Cities’, in Handbuch Experimentelles Musik- und Tanztheater, Vol.7., F. Reininghaus & K. Schneider (eds.), Laaber, Laaber.

Anthologie Heiner Goebbels’, Review of Heiner Goebbels – Komposition als Inszenierung. ed W. Sandner, Positionen 55, Mai 03, p. 55.
Malte Lüders/ Lutz Glandien: Sound Installations – Sound Architecture. Elsenstudio Publications, Berlin.
‘Art on Air. A Profile of New RadioArt’, in Music, Electronic Media and Culture, S. Emmerson (ed.), Aldershot/ Burlington USA/ Singapore/ Sidney, Ashgate.

‘Gegen den Strich: Eisler, wiederentdeckt’, Neue Zeitschrift für Musik, no. 6, pp. 18-22.
‘Against the Grain – Eisler re-discovered’, in Hanns Eisler – ‘s müßt dem Himmel Höllenangst werden. Archive zur Musik des 20. Jahrhunderts, Bd.3, M Köster (ed.),Stiftung Archive der Akademie der Künste, Wolke, Hofheim.
‘Music Machines – Spirits raised by us’, in Catalogue AngelicA Music Festival, K. Glandien (ed.), CIMES – Università di Bologna & Pierrot Lunaire, Bologna.
Angelica – 7o edizione, Catalogue, CIMES – Università di Bologna & Pierrot Lunaire, Bologna
‘Decentral Station: Interview with Heiner Goebbels’, Resonance. Vol 6 (1), pp. 15-17.
‘A wide field: Jamming in London’, Jazz Live.
‘Technology Effects in New Music’, for Positionen (unpublished).
‘Sonambiente’ – Sound Art Festival, Berlin, Summer ’96’, Resonance. Vol 5 (1), pp. 48-51. Reprint 1997 in Noise Gate.
‘Too long ignored – too bad’ (Review), RéR Unfiled Magazine 0402, pp. 76-77. Reprint 1995, in Resonance. Vol 4 (1), pp. 45/47.
‘Art Bridge between London-Southwark and Berlin-Prenzlauerberg. Report on a Regional Project’, in German Monitor: Prenzlauer Berg – Bohemia in East Berlin?, Ph. Brady & I. Wallace (eds.), Rodopi, Amsterdam – Atlanta, GA.
‘The Technology Effect or The World of Differences. Aesthetic Reflections on the Influence of New Technology on Music’, GI Prisma, no. 2, pp. 66-69.
‘Improvisation Strategies. Genre-mix on the 3. Festival of Experimental Music London’, Jazzthetik, no. 9, pp. 8-10.
‘…like a Phoenix from the Ashes… The London Musician’s Collective in Upheaval’,
Jazzthetik, no. 9, pp. 24-27.
Reviews for Radical Philosophy.
‘The Philosophical Concept of Appropriation in Aesthetics and Literary Theory’,
for On the Function of Appropriation in Art, P. H. Feist, K. Faustmann & M. Franz (eds.)
Akademie-Verlag, Berlin. (unpublished)
‘Methodological Problems of Analyzing the Conditions of Artistic Work. Reflections on Beatrix Borchard’s Book: Robert Schumann and Clara Wieck. Conditions of Artistic Work in the First Half of the Nineteenth Century’ (Review), Beiträge zur Musikwissenschaft, no. 1, pp.69-70.
‘Music and Politics. Music-conceptual Problems of the West European Rock Avant-garde’, Beiträge zur Musikwissenschaft, no. 4, pp. 273-284.
‘The Movement of Song Theatre in the GDR’, for The History of Music in the GDR 1970-88, K Niemann (ed.), Verlag Neue Musik, Berlin. (unpublished)
‘Aesthetic Design of the Environment. Reflections on H.Letsch’s Book: Pleading for a Beautiful Environment’ (Review), Weimarer Beiträge, pp. 1219-1222.
‘On the Relationship between Work-activity and Individual Development’ (unpublished).