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‘Interaction in SoundArt’. Essay (publication pending).
‘Nexus’, Exhibition text. Galerie Mario Mazzoli, Berlin, 10 Sept-12 Nov.

‘Analysing Sound Art: Douglas Henderson’s Fadensonnen (2009)’ in Expanding the Horizon of Electroacoustic Music Analysis. eds. S. Emmerson & L. Landy, Cambridge: Cambridge University Press, pp. 266-287.

‘Douglas Henderson: Summer of Love’. Exhibition text. Galerie Mario Mazzoli,
Berlin, 24 Oct-5 Dec.

‘… too wide a field. SoundArt in Berlin’, Seismograf/DMT. Contemporary art music magazine Denmark. 5 May 2015.
Relational Sound: On the Aesthetics of SoundArt (book project in progress)
‘Kunst i og uden for æteren’, Seismograf/DMT. Contemporary art music magazine Denmark.
‘Sound Art/Installation. Analysis: Douglas Henderson – Fadensonnen (Sound Sculpture, 2009)’, in Expanding the Horizon of Electroacoustic Music Analysis, S. Emmerson & L. Landy (eds), Cambridge University Press, Cambridge. (publication in progress)
‘Cassiber Recalled’, in Cassiber 1982-1992. CD-box set & book, ReR Megacorp, London

‘…sound’s dream of us. The SoundArt of Douglas Henderson’, in Douglas Henderson – Poets and Superheroes, Catalogue for Douglas Henderson SoundArt Solo-Exhibition, Galerie Mario Mazzoli, Berlin, March-April 2012. uk_flag german_flag

2013 | 2008
‘… the farthest extension of life as theatre: on the work of Arndt von Diepenbroick’, Licht, Luft, Leben: die phantastische Papierwelt des Arndt von Diepenbroick. Meininger Museen, Meiningen.
‘SoundArt and Performativity (pre-print version)’, in Sound Musicianship: Understanding the Crafts of Music, A. Brown (ed.), Cambridge Scholars Publishing, Newcastle upon Tyne.

‘Sounds & Contexts: The Performative SoundArt of Jon Rose’, in Rosin, Jon Rose CD/DVD-box set, ReR Megacorp, London.

‘Radiokonst i och utanför etern – samtid och framtid’. Swedish Translation by Magnus Bunnskog, Nutida Musik ISCM Sweden, 2/2011, 16-21.
‘Don’t look back’, in MORPHICA, M Karikis (ed.), Sub Rosa. Brussels.
‘Art on and off Air. Post Scriptum 2007: Mostly Europe’ (unpublished)
‘Die Kuh singt – oder – Die Liebe zum Authentischen’, in Babylon Circus, H. Jahn (ed.), Verlag für moderne Kunst, Nürnberg.

2004 | 2000
En Route – A monographic Study of the Œuvre of Heiner Goebbels. [online]
Available from:
See for Alfred 23 Harth’s recollection of his collaboration with Heiner Goebbels
’Die Musiktheaterkonzeption Heiner Goebbels‘ – Schwarz auf Weiss und Surrogate Cities’, in Handbuch Experimentelles Musik- und Tanztheater, Vol.7., F. Reininghaus & K. Schneider (eds.), Laaber, Laaber.

Anthologie Heiner Goebbels’, Review of Heiner Goebbels – Komposition als Inszenierung. ed W. Sandner, Positionen 55, Mai 03, p. 55.
Malte Lüders/ Lutz Glandien: Sound Installations – Sound Architecture. Elsenstudio Publications, Berlin.
‘Art on Air. A Profile of New RadioArt’, in Music, Electronic Media and Culture, S. Emmerson (ed.), Aldershot/ Burlington USA/ Singapore/ Sidney, Ashgate.

‘Gegen den Strich: Eisler, wiederentdeckt’, Neue Zeitschrift für Musik, no. 6, pp. 18-22.
‘Against the Grain – Eisler re-discovered’, in Hanns Eisler – ‘s müßt dem Himmel Höllenangst werden. Archive zur Musik des 20. Jahrhunderts, Bd.3, M Köster (ed.),Stiftung Archive der Akademie der Künste, Wolke, Hofheim.
‘Music Machines – Spirits raised by us’, in Catalogue AngelicA Music Festival, K. Glandien (ed.), CIMES – Università di Bologna & Pierrot Lunaire, Bologna.
Angelica – 7o edizione, Catalogue, CIMES – Università di Bologna & Pierrot Lunaire, Bologna
‘Decentral Station: Interview with Heiner Goebbels’, Resonance. Vol 6 (1), pp. 15-17.
‘A wide field: Jamming in London’, Jazz Live.
‘Technology Effects in New Music’, for Positionen (unpublished).
‘Sonambiente’ – Sound Art Festival, Berlin, Summer ’96’, Resonance. Vol 5 (1), pp. 48-51. Reprint 1997 in Noise Gate.
‘Too long ignored – too bad’ (Review), RéR Unfiled Magazine 0402, pp. 76-77. Reprint 1995, in Resonance. Vol 4 (1), pp. 45/47.
‘Art Bridge between London-Southwark and Berlin-Prenzlauerberg. Report on a Regional Project’, in German Monitor: Prenzlauer Berg – Bohemia in East Berlin?, Ph. Brady & I. Wallace (eds.), Rodopi, Amsterdam – Atlanta, GA.
‘The Technology Effect or The World of Differences. Aesthetic Reflections on the Influence of New Technology on Music’, GI Prisma, no. 2, pp. 66-69.
‘Improvisation Strategies. Genre-mix on the 3. Festival of Experimental Music London’, Jazzthetik, no. 9, pp. 8-10.
‘…like a Phoenix from the Ashes… The London Musician’s Collective in Upheaval’,
Jazzthetik, no. 9, pp. 24-27.
Reviews for Radical Philosophy.
‘The Philosophical Concept of Appropriation in Aesthetics and Literary Theory’,
for On the Function of Appropriation in Art, P. H. Feist, K. Faustmann & M. Franz (eds.)
Akademie-Verlag, Berlin. (unpublished)
‘Methodological Problems of Analyzing the Conditions of Artistic Work. Reflections on Beatrix Borchard’s Book: Robert Schumann and Clara Wieck. Conditions of Artistic Work in the First Half of the Nineteenth Century’ (Review), Beiträge zur Musikwissenschaft, no. 1, pp.69-70.
‘Music and Politics. Music-conceptual Problems of the West European Rock Avant-garde’, Beiträge zur Musikwissenschaft, no. 4, pp. 273-284.
‘The Movement of Song Theatre in the GDR’, for The History of Music in the GDR 1970-88, K Niemann (ed.), Verlag Neue Musik, Berlin. (unpublished)
‘Aesthetic Design of the Environment. Reflections on H.Letsch’s Book: Pleading for a Beautiful Environment’ (Review), Weimarer Beiträge, pp. 1219-1222.
‘On the Relationship between Work-activity and Individual Development’ (unpublished).