Publications

Synergies - Noise in Sound Art , for M Brandur (ed.), Vom Ton zum Geräusch – Musikwissenschaft und Materialbegriff im 20./21. Jahrhundert. (publication pending)

Relational Sound: On the Aesthetics of SoundArt (book project in progress)

Don't look back, in: M Karikis (ed), MORPHICA. Brussels: Sub Rosa, 2009

… the farthest extension of life as theatre: on the work of Arndt von Diepenbroick, 2008 Catalogue text (publication pending)

En Route - A monographic Study of the Ouvre of Heiner Goebbels , 2000/ 2004 http://www.heinergoebbels.com/index2.htm

Die Kuh singt - oder - Die Liebe zum Authentischen , in: Hartmut Jahn (ed): Babylon Circus , Nürnberg: Verlag für moderne Kunst, 2005

Die Musiktheaterkonzeption Heiner Goebbels' - Schwarz auf Weiss und Surrogate Cities, in: Handbuch Experimentelles Musik- und Tanztheater , Vol.7, Laaber: Laaber Verlag, 2004

Anthologie Heiner Goebbels , Review of Wolfgang Sandner (ed): Heiner Goebbels - Komposition als Inszenierung , in: Positionen, Berlin Mai 2003

Malte Lüders/ Lutz Glandien: Sound Installations - Sound Architecture. Berlin: Elsenstudio, 2002 www.lutzglandien.de

Art on Air. A Profile of New RadioArt, in: Simon Emmerson (ed), Music, Electronic Media and Culture , Aldershot, Burlington USA, Singapore, Sidney: Ashgate, 2000

Heiner Goebbels - Analysis of his Ouvre , in: Heister, Hanns-Werner/ Sparrer, Walter-Wolfgang (eds): Komponisten der Gegenwart for Munich: edition text+kritik, 2000 (unpublished)

Gegen den Strich: Eisler, wiederentdeckt , in: Neue Zeitschrift für Musik 6/ 1998

Against the Grain - Eisler re-discovered, in: Maren Köster (ed): Hanns Eisler - 's müßt dem Himmel Höllenangst werden . Archive zur Musik des 20. Jahrhunderts. Bd.3. Stiftung Archive der Akademie der Künste, Hofheim: Wolke Verlag, 1998

Music Machines - Spirits raised by us , in: Catalogue AngelicA Music Festival, Bologna: CIMES - Università di Bologna / Pierrot Lunaire, 1997

Decentral Station. (Interview with Heiner Goebbels), in: Resonance Vol.6 Nr.1, London 1997

A wide field: Jamming in London , in: Jazz Live, Vienna 1997

Technology Effects in New Music , for: Positionen, Berlin 1996 (unpublished)

Sonambiente - Sound Art Festival, Berlin, Summer '96 , in: Resonance Vol. 5 Nr.1, London 1996. Reprint in Noise Gate, 1997

Too long ignored - too bad , in: RéR Unfiled Magazine 0402, 1995. Reprint in: Resonance Vol.4 Nr.1, London 1995

Art bridge between London-Southwark and Berlin-Prenzlauerberg. Report on a Regional Project , in: Brady, Philippe/ Wallace, Ian (eds): German Monitor: Prenzlauer Berg - Bohemia in East Berlin? , Amsterdam - Atlanta, GA: Rodopi, 1995

The Technology Effect or The World of Differences. Aesthetic Reflections on the Influence of New Technology on Music , in: GI Prisma, 2-1994

Improvisation Strategies. Genre-mix on the 3. Festival of Experimental Music London , in: Jazzthetik 9-1994

...like a Phoenix from the Ashes... The London Musician's Collective in Upheaval , in: Jazzthetik 9-1992

Reviews for Radical Philosophy, London, 1992

The Philosophical Concept of Appropriation in Aesthetics and Literary Theory (unpublished for political reasons), in: On the Function of Appropriation in Art , Berlin: Akademie-Verlag, 1990

Methodological Problems of Analyzing the Conditions of Artistic Work. Reflections on Beatrix Borchard's Book: Robert Schumann and Clara Wieck. Conditions of Artistic Work in the First Half of the Nineteenth Century , in: Beiträge zur Musikwissenschaft 1-1989

Music and Politics. Music-conceptual Problems of the West European Rock Avant-garde , in: Beiträge zur Musikwissenschaft 4-1988

The Movement of Song Theatre in the GDR . In: The History of Music in the GDR 1970-88 Berlin: Verlag Neue Musik, 1988. (unpublished)

Aesthetic Design of the Environment. Reflections on H.Letsch's Book: Pleading for a More Beautiful Environment , in: Weimarer Beiträge, Berlin/ Weimar, 1986

On the Relationship between Work-activity and Individual Development (unpublished) 1984