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Other Work

SOUNDART | MUSIC | FILM
2018
‘Interacao com som’. Cinematic presentation & discussion, 3 rd Biennale Jorge Lima Barreto,
Vinhais, Portugal, 15 Sept.
Sounds of Vinhais. Guided Sound Walk & Interventions, 3 rd Biennale Jorge Lima Barreto,
Vinhais, Portugal, 16 Sept.
2015
HIMMEL. Concert, Mimi Festival, Marseille, France, 3 July.

Image
HIMMEL. Concert, Café OTO, London, 21 Nov.
TRANSLATIONS
2017
German subtitles for feature film ‘The Party’, written and directed by Sally Potter, Adventure Pictures Ltd. 2017.
2012
‘Malte Lüders/ Lutz Glandien: Sound Installations – Sound Architecture’. Elsenstudio Publications, Berlin, German to English.
1997
‘The Sign of Three’, radio piece by Chris Cutler, SFB Berlin, English to German.
1995
Re-working of the German edition of File Under Popular by Chris Cutler, Michael Schwinn Music Publishing
1989
Editing and translation of File Under Popular by Chris Cutler, Edition Peters, Leipzig. English to German (unpublished).
INTERVIEWS & REVIEWS
2014
Review of book proposal by Tim Hodgkinson ‘DEFAULT: Towards an Inclusive Aesthetic Paradigm’ for Bloomsbury Academic books, New York.
2007
Interview with Andreas Hagelücken for radio programme Das fortwährende Es … brummt, pfeift, brodelt, knistert, und schwirrt – über das Geräusch in der Radiokunst (The use of noise in RadioArt). Studio Akustische Kunst, WDR Cologne, 31 Oct.
2006
Interview with Michael Rüsenberg for radio report Sonic London, WDR 3, 1 May.
2001
Interview with Alan Hall for radio programme Radio Futures, independent production for BBC3, 4 July.
RESEARCH
ONGOING
Relational Sound: On the Aesthetics of SoundArt.
Contemporary Visual Culture
Art & New Media
2001-04
Sound Art Discourse.
1997-99
Radio Art
1996-2000
Aesthetic Culture: Media theoretical Reflections on the Aesthetic Dimensions of Contemporary Culture.
1994-96
Technology Effects in New Music.
1994
Berlin’s Architecture in Change: Search for a New Identity.
1993
The Concepts of Modernism and Post-Modernism in Philosophy, Art and Culture’.
The Oxford Science Park.
1992
Complexity in Postmodern Music.
1988-89
The Concept of Aesthetic Culture from the End of the Last Century to the 1980’s.
1986-87
On Rock Avant-garde in West European Countries in the 1970’s and 80’s.
1986
Song Movement in East Germany.
1985
The Philosophical Concept of Appropriation in Aesthetics and Literary Theory.
RADIO | TALKS & PROGRAMMES
2010
Project research ‘Sound Art’ series, Somethin’ Else for BBC Radio.
2007
‘Radio Talks. A day of live radio’, Resonance FM, Tate Modern, 28 May.
2006
‘Speed-date Radio’, a simultaneous series of open-ended-round-table discussions,
Radio Territories, Resonance FM, 10 Sept.
2002
‘The School of Sound – the art of sound with the moving image’, SFB Berlin.
2001
‘Peter Cusack: The Horse is dead, the Cow is alive’, SFB Berlin.
2000
‘John Wynne: Upcountry’, SFB Berlin.
‘Sonic Boom in England?’, SFB Berlin.
1999
‘A Quiet Gathering: RadioArt in Great Britain’, SFB Berlin.
1988
‘The Future of Radio’, Roundtable Discussion, Resonance FM, London.
‘Alterstill. A portrait of the London composer John Wall’, MDR Leipzig.
1997
‘AngelicA’97. Festival for experimental Music’, MDR Leipzig.
1996
Project research ‘Mixing It – Berlin Special’, BBC Radio 3.
GUEST LECTURING

Bern University of the Arts, Switzerland (Spring Semester 2015).

Linköping University, Sweden (2010).

London College of Printing/ London College of Communication, University of the Arts London
(2010, 2003, 2001, 2000).

Goldsmiths College, University of London (2005, 2001, 1996).

University of Glasgow (2002).

Academy of Media, Cologne (2002).

Royal College of Art, London (2002, 2001, 1992-1995).

University of Brighton (2001).

Middlesex University (2000).

University of Leeds (1998).

Fachhochschule Potsdam, Germany (1998).

Kant Academy, Berlin (1994).

Victoria & Albert Museum, London (1993)

SUPERVISION | EXTERNAL EXAMINATION
2018
Mentoring Argentinian SoundArt artist Iliana Diaz Lopez, as part of the Landing Project
organised by Cascabel London, June.
External Examination, PhD thesis Christopher Williams, ‘Writing with Sound: Creative Praxis in
Radiophonic Art’. University of Technology, Sydney, Australia. Dec ’17- Jan ‘18.
2017
External Assessor for DAAD [German Academic Exchange Service], Berlin, Apr.
2014
External Examiner for PhD thesis by Mike Blow, Theremino device.
Oxford Brooks.
2010
External Examination, PhD thesis by Angie Atmadjaja, Music Department, University of York, Sept.
2010
External Examination, PhD thesis by Robin McGinley, ‘Breaking the Sound Barrier:
Explorations in Experimental Sound Art, Soundscape Research and Interactive Systems’,
De Montfort University.
2004
Supervision, MPhil thesis by Richard Wolfson, ‘Live Film Music Event’, Royal College of
Art, London.
External Examiner, PhD thesis by Renate Dohmen, ‘Writing Perceptions: Surfacing
beyond the Pale. Art, Decoration and the ‘Other’’, University of Newcastle upon Tyne.